It may be getting hard to remember this as the live music business returns to something recognizably “normal,” but it wasn’t long ago that the COVID-19 shutdown had fans wondering if a vaccine might ever arrive to allow shows to again be staged in the crowded, sweaty spaces that are the lifeblood of a vital music scene.
And it was also the last conversation I ever had with Tom Sheehy, the Philadelphia music historian and publicist who died in 2020. He told me, “I haven’t been as excited about a young band like this since the Clash.” Not that this new Fontaines experience re-created the one that I remembered so well. Trying to recapture the thrill that comes with discovering great art is a foolish pursuit. It’s never as surprising the second time around.
And the biggest has to do with geography. Most of the Fontaines members now live in London. That doesn’t makein Zurich, Trieste, and Paris, and Chatten’s consideration of his Irish identity — which he mulls in “Bloomsday” — is only deepened by being an ex-pat.
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