Review: 'Come Play' establishes its own rules and makes a connection

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“Come Play,” written and directed by Jacob Chase, based on his 2017 thriller shortr, stars Azhy Robertson, Gillian Jacobs and John Gallagher Jr.

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), who are in the process of breaking up. Home is confusing, and school is isolating for young Oliver. One night, after charging his phone, he spots a strange new app, an e-book or game of sorts, called “Misunderstood Monsters.” As he swipes the digital pages, the story of Larry, a lonely, lanky skeletonoid creature looking for friendship, emerges. Then the lights flicker and pounding footsteps grow closer.

Turns out, he is. Feeding off electricity and desperate to take a friend to his demonic dark side forever, Larry starts stalking the vulnerable Oliver across devices, his visage, invisible to the naked eye, detected only through technology like camera apps. This simple but high-concept premise of the ghost in the phone only works with a hero like Oliver and the challenges of his own self-expression that Chase has built into the story.

With its childlike perspective , “Come Play” is more of a gateway horror flick for younger audiences interested in the genre and won’t necessarily satisfy bloodthirsty gore-hounds. The story is deceptively simple. However, built around a universal quandary of our tech-obsessed modern world, underpinned with a folkloric tale that appeals to our most primal child selves — yearning for acceptance and connection — it has a heavy metaphorical resonance.

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