I wish that were true! [] But, then again, no, I don't, because then that means that there's nothing I could learn. And that would be no fun.This film is so much about the humanity of these men, but they are also icons. They're almost like modern deities. I imagine bringing them to life in any medium comes with some intimidation. Kemp, you're literally putting words into the mouths of greats and Regina, you are then responsible for capturing their essence onscreen.
] I know that's probably a lot for Kemp to hear, but he did. So, he was our North Star and the place that I would check in when I wasn't sure or when I felt like I needed just a little more clarity or if I felt like something should shift one way, was I right in that assessment? We had such a great, safe space of communicating. And I think the dialogue was the star. While this was an imagining of what could have happened on a real night, it just felt very true.
And we always say that we have to be so superhuman to be Black and American, we can sometimes take that to the point where people forget about our humanity and forget that we have emotions and that we feel pain.
, and now there's conversation about how you could be the first nominated for Best Director at the Oscars. How do you digest all of that?Well, it's interesting, because when you talk about the Venice part of it all, I did not know that until an article posted. In my mind, I had assumed that, you know, Dee Rees, both of her films had been there, Ava's film had been there, Julie Dash's film had been there. It never occurred to me that those films had never been there.
And that can bring on a certain level of anxiety. Like, even in Kemp's situation, he's in a really unique situation with
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