released in 2018, saw Elverum still ruminating on his wife’s death; he remarried that year as well, relocating to New York to join Williams. But he soon found himself unmoored from his hometown — a place where he “grew up to blur the boundary between myself and the actual churning dirt of this place,” as detailed inHe also made a brief cameo in the unfamiliar world of mega-celebrity, his face splashed across tabloids beside his famous wife.
Elverum approaches his return to the Microphones name — his primary musical outlet from the late Nineties to the early 2000s — with a similar sense of zen. The Microphones were a roving, experimental project with Elverum as its only constant; he filled out the lineup with mainstays of the Olympia, Washington, indie scene that orbited K Records, including founder Calvin Johnson, Karl Blau and Mirah Zeitlyn.
“It was absurd,” he says. “The whole like cash-grab reuniting thing isn’t for me — and maybe I’m not desperate enough yet. Maybe I’ll get there eventually. But at the moment, I don’t know. I would rather just work at McDonald’s or something.” Still, he did tap back into the well of inspiration that was the Microphones, if only to write a single, albeit lengthy, song.chronicles Elverum’s youth in music.
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