The book centers around a young rock star named Walter who sells his band’s music to Ford for millions and leaves the industry behind, his wife Siobhán, her sister Selina, and their friend Floss. It’s narrated by Louis, a dealer of outsider art who’s the godfather and mentor of Walter. Everything unravels when Louis is accused of raping Floss years earlier at a wedding, though he has no memory of the night.
The book was largely finished before the beginning of the #MeToo movement, but Townshend doesn’t think it reads differently in this new era. “This isn’t about celebrities or powerful men having sex with younger women,” he says. “It’s about rape, at least that’s one of the strands, and the insinuation of rape. It’s about the possibility of it when people are at a wedding, they take drugs, they get smashed and they have sex.
“When I was arrested and still waiting for the police to deal with a huge number of computers I had in my life, they said to me, ‘This will never go away,'” he says. “That is the case. It will never go away. And I don’t feel completely vindicated because people look at headlines and don’t bother to read Wikipedia. If you read Wikipedia, you’ll see how it unfolded and I was, in a sense, vindicated.”. The book is also about music.
His time window to get all this together is rather limited since the Who are playing all through England in March and April before heading back to America to make up a handful of dates they postponed this year due to Roger Daltrey’s vocal issues. “We were hoping to tour in [mainland] Europe in June,” says Townshend. “That’s not going to be possible for various reasons, mainly for Roger’s need for vocal rest. So we’re probably going to push that [European tour] back to September.
A great name for their next album would be “who cares” and then make a really good one
Relax Pete.
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