in Aix-en-Provence to “transcribe” the artist’s geometric Op-Art abstract paintings into a collection full of jacquards, all-over prints, knits and, of course, chainmail dresses. A location like that could well be a distraction, but here were clothes that matched the monumental grandeur of the setting.
Sensuality was his aim, but precision is his game. “It's really that simple joy and genuine pleasure of what we all have craved over the last year: being under the sun, feeling the warmth on your skin, dipping your toes in the sea,” explained Julien. “It's a sensation that's not complicated and is just about being free and conscious about your body, almost instinctively.
The trippy are-they-2D-or-3D trompe l'œil optics of the artworks were the perfect foil for prints sculpted onto the body. Instead of mixing-and-matching, each look came as a head-to-toe print, which almost made them feel a bit more minimal — but with maximal impact.
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