Disney and Pixar's "Luca" is a coming-of-age story about a boy sharing summer adventures with a new best friend.
The landlubbers, of course, are terrified of the monsters in the sea , and the sea-people lose their tails and scales when they emerge into the open air, making them look completely human to anyone on land. But get dry sea creatures wet and they revert to monster form — a bit of borrowed mermaid lore that sets up the main drama of the film.
This, then, is a movie about the politics of difference — and one of the more contemplative efforts from Pixar. It's hemmed in a bit by director Enrico Casarosa's Pixar-ish insistence on a big, climactic showdown between our heroes and the bully who makes them miserable, but the real — and far more interesting — conflict is between Luca and his friend Alberto, a fellow sea dweller who is braver than Luca but also more emotionally fragile.
"Luca" isn't specifically about racial difference, though, or openly about queer identity .
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