Raf Simons: “Everything is in the game automatically. The one thing that has changed is that the initial naivety has completely gone. I can’t just use what I feel is right—someone has to sort it out first to see if it can be used or not. Back in the day I used a lot of writing. It was important to me no matter where it came from. Now I write myself, or if I use messaging I collaborate with people I’m very much connected to.
Re-realeasing 100 key archive pieces for his Raf Simons Archive Redux project has made Raf contemplate—sometimes in shock—his work’s second life.RS: “I was also thinking about the secondary market around some of my garments which is going crazy and making me really wonder.
Raf believes there are four key ingredients for sustaining “a young mind, no matter the person’s age.”Especially enlightening is this conversation’s unwrapping of Simons’s sense of himself as a “bridge,” whose work and references create the potential to catalyze “an aesthetic reaction to the system.” Rejecting the suggestion that he is an influencer, he ascribes himself a role both more passive and profound.
Prada .
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