The detective drama had been on the air for six seasons, but “political circumstances” between producer Paramount Network Television and network CBS kept it from getting renewed, the actor recalls. Twenty years later, the show is still a success in syndication. As TV’s nostalgia boom has led to reboots and revivals of dozens of late-20th century titles, the door was opened for Johnson in his titular Special Investigations Unit captain role in a new format and on a new network.
As in any episode of the original series, there is a crime that needs Nash’s attention — specifically a “surprising murder of someone you don’t like,” Chais previews. “The whole thing would have just been about solving his murder, which would have been like a really satisfying hour of television, but what it spins off to is what gave us the scope of a two-hour movie.”
“The difference between the millennials and the boomers” was what Johnson thought gave this story its unique blend of comedy and conflict and made him excited to step back into the world of the show again. “The idea is someone who’s older and came up a different way actually has something to teach and actually has a lot to learn. And we felt that it went both ways,” Chais explains. “We never wanted to be preachy; we always wanted to be sensitive to the issue that that the world is different. He wasn’t part of any problem, but the world has changed and maybe there is more he could do to be part of that.
But he’s still quicker than most to jump into action, and creating action sequences for the “Nash Bridges” movie was something Johnson pushed Chais to do more of. Chais, who has a background in procedurals from “Franklin & Bash” to “Unforgettable” and “Bull,” was excited to take character banter into such explosive situations as “car chases, gunfights and oil trucks blowing up.
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