might be about Walt and Sophie’s burgeoning relationship, and the trials and tribulations of young love gone intergalactic, from the onset of the film, it was important to Condor that — however the film ended — the emphasis wouldn’t be on the historically classic
trope of “girl meets boy, girl follow boys to the ends of the earth and puts boy’s ambitions and goals before her own.” There were aspects of this trope in the film initially, with Sophie travelling to Mars to be with Calvin, but for Condor, it was important that this decision isn't just about Calvin. The filmmakers adds Sophie’s close relationship to Calvin’s family — and his mother specifically — as a plot point. “It wasn't just Sophie follows a boy across the universe.
Eventually, Sophie stops living for others to living in the moment for herself. It’s a moment that’s clear late in, when Sophie and Walt go on a spacewalk on their way to Mars. Sophie — who entered the trip afraid of, overcoming the fear only to get to Calvin — makes the decision to let go of the platform attaching her to the spaceship; drifting into space . She’s not doing it for any motivation or anyone else, but simply for herself and simply to enjoy the view.
“In today's society, I think it's really easy to have this tunnel vision and not be in the present moment,” Condor says. “[Sophie’s] always kind of looking ahead, and then throughout the film, she becomes more present and she wants to go on more adventures. She wants to be more spontaneous and fun.”gives us: Sophie’s acknowledgment that, as Walt tells her in the last few moments of the film, “[she’s] the adventure.
This idea of following your passions is what Condor hopes people, especially young women, take from the film. “Don't forge your life journey based on pleasing others, forge your life journey based on what you as the individual want for yourself,” Condor says. Moonshot Star Lana Condor On Chasing Boys To Space
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