Americans abroad Chloe and Mickey are the central couple in Argyris Papadimitropoulos' latest feature. In the opening minutes of the movie, they meet at a party and within seconds they're furiously sucking face. Hours later, they wake up in each other's arms, buck naked on the beach. Months pass.
In truth, although it's eventually revealed that one of them is aware they have a tendency toward alcoholism that they struggle to keep in check, neither lover is particularly mentally ill or unstable — or at least no more than most typical hard-partying millennial in his or her mid-30s. For people like them, life's goal is to have as much fun as possible all weekend long without getting arrested or dying.
But he sees more in Chloe than just a beautiful leggy blonde who's a wildcat in bed; and it's not just that she's smart and funny. He may not even consciously know it himself, but he also needs her to help him get better access to his young son, whom his ex-girlfriend — a Greek woman named Aspa who's angry with Mickey's inability to grow up — is blocking him from seeing.
Papadimitropoulos and his ensemble nonchalantly but with infinite stealth work in details that reveal the characters' deeper psychology, the weird shapes and holes in their psyches that make Mickey and Chloe so good for each other, but also deeply wrong.
Learn to let go of the hurt
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