Miranda Lambert Takes It Home to Texas With Jack Ingram and Jon Randall on ‘The Marfa Tapes’: Album Review

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Twenty years since the release of her first album, Miranda Lambert still happily confounds country’s hardcore traditionalists as to who she is, precisely, while maintaining Texas and Nashville’s in…

. Ingram’s a damn fine songwriter whose “Wherever You Are” was a hit near the top of the 2000s; Randall played for Emmylou Harris and wrote for Brad Paisley before going onto production gigs for Dwight Yoakam and Dierks Bentley. If this new album doesn’t bring them a boatload of new fans, little else could.

The origin story of “The Marfa Tapes” finds this friendly trio traveling to the small, artsy Texas town of the same name to find their music’s rawer roots.

The space and place of the room they recorded in is the true star of “The Wind’s Just Gonna Blow,” as each participant — Lambert, in particular — sounds apart from a mic’s amplification. The vibe, instead, is as if a camera peered over a transom while a woman wrote a sad, frank entry in her daily diary.

 

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Amazing I Loved all the songs! Finished or not! Love ur voice! Way to go, all if you!👏👏👏👏👏👏

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