Dangerous Liaisonsbut none of her previous work forewarned us of the wonderfully aloof eccentricity she displays as newly-impoverished socialite widow Frances Price in Azazel Jacob’s . Pfeiffer admits to not fully understanding her character in the film, but she more than happily accepted the challenge of infusing Price with a memorable soul, much as she’s done with all the performances in her four-decade-long career.
DEADLINE: The film is so quirky and loose. Did that extend to how Frances was written on the page and did it take you a bit to fully understand her?: My first question was, “What’s the deal with this talking cat?” I was very curious about the tone of this film, but it’s also what I loved so much about it. It walks this very fine line of comedy and zaniness and melancholy and drama.
DEADLINE: It’s interesting that you brought up youth, because when I see Frances, I don’t see her scared of her age at all.Lou Scamble/Sony Pictures Classics: I think, more importantly, it’s how you grow old. I get the sense from her that she has to work very hard at staying grounded, and there’s a fine line between a rich, eccentric, older woman and a poor nut job. I think that with money and wealth, you’re able to camouflage a lot of flaws and I think that people are much more forgiving.
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