Tackling issues such as sexual consent, gender, race, class, drugs, victim shaming and social media obsession with the sort of raw, unflinching, angry, often hilarious, at times deeply upsetting and frequently hedonistic honesty unseen on TV before,The 12-part BBC/HBO drama has also further underlined Michaela Coel — creator, writer, co-director, showrunner and lead star — as one of the most exciting young creatives working today.
, Coel explains that there's one — minor — change in the BBC and HBO versions of the final episode , how being agentless has allowed her to relax rather than get caught up in the post-hit excitement, and why her future — near, at least — involves nieces, plants and puzzles.Ha! You know what, it's something that is strange to me. I think because of the lockdown. Everything feels very normal in my life. Also, I'm not really on Instagram and Twitter at all.
No. I say this to myself because it helps keep me calm, which is, "You've done the work, you've done your job and now that it's aired, your job is done." And it's done. So I put my whole life into those two and a half years, and then I have to leave it there. Because I do see this as my child and I can't force anybody to like my child. I've done my best. I've ironed her skirt. I've braided her hair. Off she goes, and there's nothing I can do.
There are several scenes in the show that are kind of out there — I've certainly not seen them on the BBC before. I understand that the BBC gave you full creative freedom, but when HBO got involved, did they have any input? Did you get any notes telling you to tone it down a little, or were you really allowed to push it as far as you liked?
I have a personal assistant and a publicist. But what they know is — currently — I just need a little break. Just keep everything away … we'll deal with it later because my mental health needs a little pause so that I can see my family and my friends.
She is so talented and the show is fantastic.
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