has never fit into any one box. As a queer kid growing up between the South Side Chicago and Gary, Indiana, they they were bullied for being too feminine, pushed into sports by their father to better fit in with their brothers. Rather than bottle their emotions up as advised by the patriarchal culture we live under, Michael turned to creation, like so many artists before them.
"I really just want to drive home the idea that whatever is personal for you is also the source of your power," Michael tellsover a Zoom call from the permaculture farm they spent the summer working on. “My very existence as a Black queer, non binary person has been politicized, usually by forces that are not me. If I had it my way, I would just exist and I wouldn't have to worry about the things that I find myself being up against.
"On God" is a spiritual call to action, while "Blueberry" builds off finger snaps and whistles into an 808-based, tender ballad about unrequited love. "Canary," a cover of Liz Phair's stripped down, piano-backed song from her 1993 albumexamines the loss of innocence that comes with transitioning into womanhood.
While the songs range in sonic influence, they all connect back to the idea of recognizing that what one is attacked for is often the most powerful — and precious — thing about them. As a writer and former Culture Editor at PAPER Magazine ,
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