At the turn of the century, rock music was inundated with bands like Limp Bizkit and electronica acts, and artists that leaned more into pop sensibilities. But in New York City, a musical revolution was brewing. After Y2K fizzled out and right before 9/11 shook the world, bands like The Strokes and Yeah Yeah Yeahs brought rock music back to something exciting, a style based in that old that managed to sound completely new.
We also follow Interpol, primarily through lead singer Paul Banks, who desperately wants to find the success of The Strokes, but has to fight for that type of recognition at every turn. Almost from the beginning, Interpol struggles with infighting, terrible tour planning, and music pirating.
There’s a lot to cover with Meet Me in the Bathroom, but Lovelace and Southern seamlessly interweave these band’s stories together to give a fascinating look at this musical shift. For those with borrowed nostalgia for the unremembered 2000s, Meet Me in the Bathroom shows a period when the music world looked completely different, where a musical uprising could naturally occur from kids just wanting to make unique music together.
We have summarized this news so that you can read it quickly. If you are interested in the news, you can read the full text here. Read more:
United States Latest News, United States Headlines
Similar News:You can also read news stories similar to this one that we have collected from other news sources.
‘Meet Me in the Bathroom’ Review: Time Capsule Doc Explores the Early Years of the Strokes, the Yeah Yeah Yeahs and LCD SoundsystemThere’s a montage early on in Dylan Southern and Will Lovelace’s documentary “Meet Me in the Bathroom” that is bound to give any geriatric millennial pause. The year is 1999. It’s New Year’s Eve in… I'm here to show my appreciation to TarellaCampbel who took me out from zero to hero. I'm so glad to be among your winning team ma'am and I will always show my gratitude and work with you always.
Source: Variety - 🏆 108. / 63 Read more »
Thandiwe Newton in ‘God’s Country’: Film Review | Sundance 2022The Emmy award-winning actress stars in Julian Higgins’ thriller about a college professor’s escalating feud with two hunters. I hope it works out as 'Reminiscence' was absolute shite.
Source: THR - 🏆 411. / 53 Read more »
‘Alice’: Film Review | Sundance 2022Keke Palmer plays a woman who makes slave owners pay in Krystin Ver Linden's quasi-Blaxploitation debut. Breaches?
Source: THR - 🏆 411. / 53 Read more »
Netflix’s ‘jeen-yuhs: A Kanye Trilogy’: Film Review | Sundance 2022The three-part documentary, composed of behind-the-scenes footage shot by co-director Clarence 'Coodie' Simmons, premiered its first act in Sundance. 🙄 Damn Netflix shooting duds. No wonder their stock is tanking. Jeen-yuhs. 😏 Sounds like a rocket scientist. Brilliant!😬 Spelling is overrated. 🤓
Source: THR - 🏆 411. / 53 Read more »
‘A House Made of Splinters’: Film Review | Sundance 2022Simon Lereng Wilmont's documentary focuses on a shelter for children impacted by unrest in Ukraine, specifically the experiences of a trio of sad-eyed subjects. They said this can take until 5 years more, I assumed that he destroyed my life, why he have to do the same with my son's? because he can't have his rights, why nobody thinks that there is a child in the middle of all this? ❤️JUSTICE4US❤️justice4noahisaacandamandagarcia
Source: THR - 🏆 411. / 53 Read more »
‘Sirens’: Film Review | Sundance 2022Rita Baghdadi's documentary captures the bumpy rise of Slave to Sirens, perhaps the only all-female thrash metal band in Lebanon. А РАБОТАТЬ КТО БУДЕТ ЧТО ЗА ЧУДОВИЩА В ПОЛЕ ПАХАТЬ ИМ НАДО ЗАСТАВЛЯЙТЕ
Source: THR - 🏆 411. / 53 Read more »