“The instrumentation came through a lot of experimentation with Night,” Gureckis tells. “It wasn’t different for different’s sake; I wanted to create a world that’s very unusual. The audience should feel unsettled.” The first three episodes of the 10-part series premiered on Thanksgiving.
The show centers around wealthy Philadelphia couple Dorothy and Sean Turner and their baby, Jericho, and — for the sake of preserving several of Shyamalan’s famous twists — we’ll just say that things start to get weird when the Turners hire 18-year-old nanny Leanne . If you’ve seen the 2016 Netflix original movieSince most of the movie takes place in the couple’s tasteful brownstone — and features a limited cast — Gureckis approached the show like a play.
The music is sparse, featuring glockenspiel and clarinet, piano and glass bowls. Producer and director Shyamalan stepped in often when the instrumentation sounded too “normal,” Gureckis says.Mostly, the composer focused his efforts on the mysterious Leanne. “It’s important to grasp Leanne’s place in the house and in the family,” he says.
Apple+ is rolling out episodes weekly instead of all at once, so viewers will watch the mystery unfold over time — an experience that Gureckis says mirrored his own. He started scoring the show without knowing how it ended, allowing him to explore characters as he learned more about them. “I’m not in on the bigger concepts, but I’m just following the characters and how they seem to be,” he says. “That keeps me on my toes in terms of capturing who Leanne really is.
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