program dedicated to filmmaking in Southeast Asia. Moderated by Open Doors artistic consultant Paolo Bertolin, the panel included Malaysian producer Nandita Solomon; Indonesian filmmaker Mouly Surya; Antoinette Jadaone, a director from the Philippines; producer Thuthu Shein of Myanmar; Mary Liza Diño Seguerra, chairwoman of the Film Development Council of Philippines; and Maung Okkar, project manager of the Save Myanmar Film initiative.
In Malaysia, which has largely managed to keep the coronavirus pandemic in check, the economy began gradually reopening in June. More encouraging for local filmmakers, said Solomon, has been the move by a government that swept to power in March to boost investment in the film industry as part of broader efforts to kickstart the economy.
One heartening development is the continued growth of regional VOD platforms, which reported massive gains in subscriber numbers and consumption, as viewers across the region were forced to stay home during the lockdown. That’s opened up a host of new opportunities for filmmakers across Southeast Asia.
That fact should open doors for more women to enter the film industry in Southeast Asia, where they’re already well-represented. Shein said she’s seen a growing number of female filmmakers emerge in Myanmar in the past decade. Jadaone pointed to a rich tradition of women in the Philippine industry dating back to the 1970s and ‘80s. “I’m really fortunate to be standing on the shoulders of the women directors that came before us,” she said. “Now is a good time to be a women filmmaker.
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