and shrugged off his cameras, Li Zhensheng became a busy man. He had to develop his roll of film, and since he was the youngest photographer at the paper the older guys gave him theirs to develop, too. He would sometimes spend hours in the darkroom, singing to himself when he felt hard done by.
Any of those could easily run anywhere in the paper. Since the Cultural Revolution had been proclaimed, in 1966, thehad printed only pictures like those. And for each one published he earned eight scarce frames of film. So the propaganda pictures were useful to him, too.
So was he. He had been allowed to take those pictures only because he made sure to wear a red armband, like the student Red Guards unleashed by Mao to revolutionise China. It bore the words “Red-Colour News Soldier”. He was one of them, therefore, and no one asked questions. Nor was it just a superficial thing. He too was excited by the thought of challenging authority, sweeping old stuff away, remaking the country. He had never liked his elders telling him what to do.
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