Hart and Smiley run the company in congress — Hart, a font of energy and ideas, and Smiley, a studio vet with an eye for dealmaking — though often from a distance. When the pair spoke toover Zoom in May, Smiley was at his home office in West Hollywood and Hart was in a Budapest hotel room during a break from a film shoot.My first real job was at New Regency, in 2006, doing product placement — like putting Mercedes and Jeeps in movies and shows.
Did it feel like a gamble leaving a nice studio gig like Sony when Kevin came to you about going in-house?Most people work their entire careers to get the opportunity to partner with someone like Kevin, who greenlights movies and TV series. Sony was not happy, but what was I going to do?I’m lucky to have the relationship that I have with Sony, to get him out of the deal that he was in. It just goes to show how important relationships are in this business.
Kevin Hart’s office bar is a repository for the many drinkable gifts he receives and is open to staff when celebrating is in order.. How did they come on board?The message of the movie is so strong for fathers, particularly Black fathers, and it’s a message that they embrace as a company and at their foundation.I talked to Barack on the phone and our conversation focused on what made the film so appealing to me in the first place.
I care about this business in general, and it’s good to stay current. The pandemic was there, and the world of studio films was just kind of up in the air. I met with my team and said, “I think there’s an opportunity to make the movies we want and have them actually get made.” And I’ve been number one at the box office, but I’ve yet to partake in this world at the highest level. We’re getting to a place where people are going back to the theaters, so we’ll see what happens.
Hart keeps a pink scooter from the time when daughter Heaven was young enough to ride around his office during her visits.Knives OutAll the traditional studios are launching their own platforms or closing distribution deals with existing platforms. I do believe theatrical is here to stay in some form, but streaming is what audiences want. What we care about, first and foremost, is to create film and TV that gets seen by the most people globally — and Netflix has that massive global audience.
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