, it’s the most dramatic work that she had ever done. Her natural kookiness and inclination for screwball comedy never vanished in the episodes—her wryness in scenes with Zosia Mamet’s Annie continues to be hysterical, and the physical comedy of her and Knight running from the North Koreans was perfect. But the rawness with which she mined the emotion in these two episodes, particularly in that kitchen scene with Stone, is the performance of her career.
She remembers the first day Stone arrived on set. She and Knight were filming a scene in a car when they heard over the radio, “Ms. Stone has landed.” They had a mini freakout and wondered how Stone would be when they met, as everyone has different comfort levels with touching and interaction during COVID. She saw them in the car when she arrived, ran over, and flung her entire body through the open window, wrapping her arms around the two of them and squeezing their faces together.
Similarly, it was important that the slap not be the end of the storyline. You see Cassie staring out the window at her mother after she leaves, who is sitting in her car sobbing.
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