Journalist Ian Urbina 'Apologizes Unequivocally' After Music Project Complaints

o disseminate the journalism through non-news-media channels such as music platforms, ideally to reach a younger and more global audience” and “get more attention on what we believe is urgent and worthy reporting.” Second, “to fund more reporting using streaming revenue derived from the music.”

Urbina emphasized these themes again in his apology. “The aim has been to convert stories into a different language, namely music, as a creative means to grab the attention of a younger and more diverse audience — the very audience sometimes missed by legacy outlets,” he wrote. “I thought, and still do, this was a new way to circulate journalism via non-news platforms. Any money that came in went toward publishing new albums and recruiting more artists.

At least one artist is already taking advantage of this opportunity. “I am in the process of signing an agreement to terminate the original contract, meaning that the rights to the music will return to me, and I will have no obligations to share any royalties with Synesthesia,” Lassi Kotamaki, who makes music as Idealism, tellsAnother issue, however, remains to be sorted out: A dispute between Urbina and Naymlis Inc. over the disbursement of royalties from Outlaw Ocean Project’s streams.

In Twitter statement on Monday, Synesthesia blamed Naymlis for any failed or delayed payments to artists involved with t. “As of today, Synesthesia itself has not received any payment or royalty statements from Naymlis Inc. since June 2021,” Synesthesia wrote on Twitter. The label vowed to “keep, through our lawyers, pressing Naymlis to pay artists what they are owed and provide the statements due to them.

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