was this reckoning with permitting myself to feel joy again and to really embrace feeling in this new way,” she adds. The shift is entirely intentional. “My narrative as an artist is very rooted in grief and trauma,” she says, “and I wanted to mess with that expectation and totally surprise people with something on the other end.”“Paprika” and “Slide Tackle” surprise sonically.
“The person rationalizing this hoarding of wealth, in his mind, is doing so because he's preserving his joy,” Zauner says. And on “Kokomo, IN,” she says, the narrator is “allowing that person to share different types of joy with other people.” She included these made-up tales to explore the “different ways that we interact with joy, whether it's struggling to feel it, fighting to protect it, or reminding yourself to have it.”isn’t entirely without its downcast moments.
“Better” describes Zauner’s mindset at large these days. The tremendous emotional burdens she experienced during and after her mother’s cancer battle are now preserved in text, and her work to re-spark her joy is etched in musical amber. With, she’s letting the world know not only that she’s been through rough times and come out OK, but that you can, too. “It's been six years since my mom passed away, and that grief is gonna live with me forever,” she says. “But I still am capable of joy.
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