follows the on-again, off-again relationship between Vogel and her erratic, conman father, John , over the course of two decades. The film also features Penn’s brother, Hopper, as her on-screen brother, and is scored with original music by Cat Power and Eddie Vedder.sat down with Penn in Cannes to talk about getting the part, the best advice Sean gave her on set, and channeling her past.: I read that you always wanted to be behind the camera rather than in front of it.
When you were reading the script, were there any particular scenes that you felt might be challenging? Yeah, the script was more of a guide. We definitely stayed true to the story, but a lot of the dialogue is improvised. We also had a lot of time to rehearse—a week before we started shooting, we went to every location and rehearsed the scene so that on the day it felt so natural and familiar, and you could really just focus on the emotion. It kind of felt like what I imagine rehearsing for a play would be like—really feeling your set. I’ve never done that in any other movie.
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How to get ahead because of nepotism? Hmm!
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