Int’l Critics Line: Anna Smith On Serbia’s Oscar Entry ‘Dara Of Jasenovac’

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The opening scene of Dara Of Jasenovac, Serbia’s submission to the International Feature Oscar race, gives a poignant hint of the horrors to come. The setting is rural Croatia in the 1940s. A large…

, Serbia’s submission to the International Feature Oscar race, gives a poignant hint of the horrors to come. The setting is rural Croatia in the 1940s. A large group of Serbian women and children are being marched to a train station by armed guards. Two Croatian women work in the fields, watching them fearfully, also cautious of their own fate. One catches the eye of a woman in the line who’s holding a baby, understanding her pleading look.

The addition of the sex scene feels a little out of a step with the overall tone, and it’s not the only time that the guards come close to caricature. But despite some heavy-handed moments, it’s hard not to be struck by the horror on display, especially knowing that director Antonijević and writer Nataša Drakulić based their screenplay on survivor testimony and court transcripts, creating a “composite truth”, as Antonijević calls it.

While most of the narrative focus is on Dara and her two year old brother, Budo, it occasionally shifts to Dara’s father, who has been given the job of throwing dead bodies into the water, dreading the day he might recognize one of them. But this is at its strongest when exploring the connections between female prisoners, as they form swift bonds out of necessity and struggle to stay close to their children, holding onto a glimmer of hope that some might escape to a better place.

 

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