“Through that process I started to connect with many aspects of the piece,” says Cusack. “It intrigued me more and more that these introspective characters would go so far as to experiment with hallucinogens in order to heal and/or unlock themselves from past traumas.” If Clare Booth Luce and I had run in the same circles back in the day, I doubt we would've been friends. However, I think I would've admired her tenacity, work ethics and bravery. It seems as though she devoured life.
Brunner: Why do you think you, Tony Yazbeck, Harry Hadden-Paton and Robert Sella make a great ensemble? Working with Tony, Harry and Robby has been the best part of this job. They truly are masters of their craft and inspire me in different ways nightly. It's a tight bond we've developed. I'm still pinching myself that I get to share the stage with these incredible gents!And then there is James Lapine.
Brunner: How did you stay creatively nourished during the pandemic, especially when you weren't working? Through the pandemic, I found solace in listening to music, dancing and cooking with my husband in our kitchen. Writing, baking, knitting and binge watching, all sorts. Is it hard to describe how singing makes you feel? And when did you know you had a special gift? Singing can sometimes feel like dancing and other times like a deep purge. It depends on the song and how I'm feeling.
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