after a February release on Epix) so compelling is that it takes place in a world of surrealist horror. We’re experiencing actions both as they are actually unfolding, but also as Maud perceives them through her increasingly vivid religious faith. Having recently converted to Catholicism after a traumatic incident with a patient led her to abandon her old life — and even her birth name, Katie — she feels called to serve God in increasingly zealous ways.
Maud’s relationship with Amanda is both intensely sensual and full of mutual disgust. The former judges her charge as a sinner, to be prayed for and saved, while the latter perceives her caretaker as an oddity, to be toyed with as a twisted form of final amusement. And yet, they’re completely fascinated with each other in a way that becomes increasingly toxic. Maud tries to isolate Amanda from her friends — including the companion she pays for sex — but she’s also drawn to her hedonistic world.
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