It's not hard to see how the"futurism" label stuck. When Cook, SOPHIE and their PC Music compatriots debuted a new mode of glossy pop music in 2013, there were few words to describe it: loud, sure; strange, absolutely. Shiny and uncanny, seemingly against nature, it appeared to foreshadow new and weird ways of communicating.
Camp, outsized visions of the future in pop culture are nothing new; the futurists of the early 20th century glorified a new world order where technology eradicated the organic, whileplanted ideas of flying cars and quirky aliens in the minds of baby boomers. Describing synthpop as futuristic has been a hallmark of the genre since its inception; computer music has always tended to confound critics.
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