, Haynes turned to Warhol’s silk-screen paintings to create backdrops for the interviews. “They all are pastels, sort of candy colors, but they’re all slightly dirtied colors, or musty versions of those kinds of colors,” Haynes says. “And we put some texture, almost as if it were a tenement wall that had been repainted.”, where there’s multiple [images] in the [split-screen] frame,” adding that he composed the interviews and used the 1.
This story first appeared in a November stand-alone issue of The Hollywood Reporter magazine. To receive the magazine,
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