How 'Ford v Ferrari' Composer Created a 1960s-Infused Score

The partnership between famed car designer Carroll Shelby and British driver-engineer Ken Miles is the driving force behindParalleling that onscreen partnership is one behind the scenes between composer Marco Beltrami and his longtime engineer Buck Sanders, who've worked together for two decades, with Sanders crafting the electronic sound palette for each Beltrami-scored film. However, this fourth collaboration with Mangold is particularly special for Beltrami, a passionate racer himself.

How did your own racing inform your work on the film's score, specifically in terms of capturing the mindset behind the wheel?Honestly, capturing the mindset wasn't as important as keying into the emotional journey of the characters. Even though it's set in a racing environment, the thing that makes this a standout movie for me is the relationship between Shelby and Miles.

For the score, you recorded a 15-piece ensemble that infused 1960s rock and jazz. How did you come to that decision?Jim [Mangold] played us a lot of music that inspired him when he was shooting the film. The music supervisor also sent us several songs, the common thread being they weren't orchestral in nature. Coincidentally, Buck and I had been talking about mixing muted brass and closed guitar tones for a while, so this was the perfect opportunity to do that.

Since the film focuses on the partnership between these two men, what are some of the keys to a successful collaboration on a film score?The collaboration has been ongoing since 1997. Buck started out as an assistant, offering his own thoughts on my projects, and I became more and more trusting of his opinions. Music is abstract, and being able to respond to someone's thoughts and have them resonate with you to improve the work is a vital thing.

Favorite song

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