. Ultimately, female writers are credited on 15 of season 3’s 23 episodes. “[Although] none of us women who worked there was ever in charge—it was always men having the final say—we did contribute to the conversation at every turn,” Fattore remembers.
And that influence extended to one of the most appealing things about Pacey and Joey’s dynamic: their modern twist on popular screwball films of the 1940s. They shared the same commonplace quick-fire banter screen goddesses like Katharine Hepburn and Rosalind Russell had with their leading men. Think: Thewhen Pacey, in an attempt to comfort a tearful Joey, suggests they might wind up friends during the impending school year. Without missing a beat she retorts, “I’m upset enough as it is.
Although there was no concrete plan for the couple following season 3, there was now a bounty of prospective future narratives. “The [Pacey and Joey] kiss, the love triangle it created, and the stories it bore drove the show to six seasons and international acclaim,” Stepakoff previously penned. And it was the female writers who took the torch and ran with it.
breakup episode, while Fattore and Fricke who navigated Joey and Pacey’s relationship rekindling during the back half of season 6., Pacey and Joey might not inspire the same reverence in today’s culture or have been so significant to so many of us during our formative years. Perhaps we all would've ended up with a Dawson instead of a Pacey—cue Dawson's ugly cry face now.
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