, working with a translator provided by Netflix, Yeon discusses the origins of “Hellbound,” plans for season 2 and teases a potential third installment in his zombie trilogy that falls somewhere between “Train to Busan” and “Peninsula.”The short animation was in 2002, and then the webtoon actually began about two years ago on Naver, with co-creator and cartoon artist Choi Kyu-Seok.
There are a number of protagonists in the show, and halfway through there is a significant jump in time as well, where we then follow a different protagonist. What was your rationale for this? I personally enjoyed “Squid Game” very much as well. And I feel like the vision that it had within it, being a genre drama, was very relatable and there were a lot of points within the show that I was able to relate to as well. I think that both shows have their own entertainment elements. And as for where those points lie within the show, it’s all different. I think that “Squid Game” was able to really resonate with a lot of people.
I will say that it’s true, the process of working with Netflix was very enjoyable on my end. They very much agreed to and related to my creative vision, but they also created an environment where I didn’t have to think about anything else aside from focusing on my creativity in terms of distribution or when or how to release the series.
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