,” which churned with his usual discombobulated-world thoughts and sported one of his most arresting, least laid-back melodies. Starting at least in late 1970, Garcia and Crosby had played it together onstage in their own offshoot band, David and the Dorks. That night at Keystone Korner, Garcia took a shot at the tune himself — supposedly the only time he ever played it onstage without Crosby.
For some reason, Kahn was unable to make this particular Keystone gig, which means Garcia was playing in a guitar-drums-organ lineup that was downright Doors-like in its configuration. At the start, Garcia, Saunders, and Vitt play “The Wall Song” as a brooding shuffle — the dark side of the cocktail lounge.
But when Fierro enters, the sax man takes over, pushing the song into very different and very improvisatory territory. Revealing his roots in jazz bands in his native Texas, Fierro blows R&B lines that adhere to the melody, but not for long. Soon enough he’s freestyling over “The Wall Song,” squawking and squeezing notes out of his horn and turning it into something close to freeform jazz.
With backing by Garcia, Kreutzmann, and Phil Lesh, a studio version of “The Wall Song” would finally appear on record a year later, on thealbum released in the wake of CSNY’s breakup. That version was trimmed down from a long studio jam — and one can’t help but wonder if the Garcia and Saunders version heard here inspired the longer rendition laid down in the studio that night.set for December 4th release.
I think the term is now “jazz-adjacent” in 2020.
Meh
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