in the weeks following the death of George Floyd when the themes explored in the show became part of the national conversation.‘s increased timeliness and the bigger responsibility that comes with it. Steinberg talks about the difficult, emotional and sometime cathartic conversations in the show’s writers room over the last few weeks.
Half of our writers room is Black and half the writer’s room is white. We’re having some really honest, direct and difficult conversations that I think everyone in the writers room is growing from. It’s emotional. It’s sometimes cathartic. It’s very important to everybody in the room, but of course those of us in the room who are not Black are highly attuned to the sensitivities that the Black writers have.
But even when Aaron gets out of prison, he’ll always feel that he owes a debt to the guys that he left behind. So he’ll be existing in the world where he’s trying to get his life back and try to figure out how to recover from over nine years of being institutionalized, and then also try to balance that against the debts that he feels he owes to the guys that he left behind.You talked about incorporating the George Floyd protests into the show.
What we have is the flip side of it, where the supporting characters are the cops and the DAs and the ADAs who are prosecuting, and we’re creating empathy for the people that are affected by the system. One of the things that we will be doing this season, in addition to continuing to follow Aaron Wallace and his family, is following the stories of his allies, Safiya Masry and Henry Roswell. Those are people that are trying to change the system.
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