Film4 Uses Toronto as Springboard to Launch Standout Titles

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The U.K.’s Film4 backs 10 to 12 features a year, meaning that its eight-strong lineup of world premieres at Toronto Intl. Film Festival see the curtain raised on a hefty chunk of its slate. That’s …

. “Toronto was elevated for me during my American experience; it was only once I was living there and working at Miramax that for me it became this legendary launching pad,” he says.

Being a more sizable partner changes the conversation with producers, according to Ollie Madden, head of creative at Film4. “It’s appealing for producers knowing that we can put more money in,” he says. “We can make their case more effectively and support their creative vision more forcefully when we have a bigger seat at the table.”

“There are filmmakers that are not on our books – and Armando was one of them – that we are desperate to work with,” Battsek says. “It doesn’t feel like in any way shape or form like a traditional adaptation of a classic,” he says of the “Veep” creator’s Dickens adaptation. “It feels very much of its time.”

 

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