A sub-Tennessee Williams potboiler triangle between restless sexpot, impotent husband, and hunky handyman ever-so-slowly congeals into a lumpy gumbo of thriller elements in “Grand Isle.” This third directorial big-screen feature for veteran Steadicam operator Stephen S. Campanelli has plenty of potential guilty-pleasure signifiers — not least being top-billed’s sixth vehicle this year — but the overripe payoff arrives only after a full hour of patience-testing buildup. Opening on 15 screens Dec.
The next day, local boy Buddy is dispatched to repair the damage, being in the market for any odd job. Just out of the Navy, he’s got a nagging young wife and baby to feed, so he puts up with Walter’s considerable, goading attitude. Even more disconcerting are the excessively friendly vibes emanating from Mrs. Franklin aka Fancy , a former “jazz singer” introduced sidling down the stairs singing “They Can’t Take That Away From Me” in a feather-trimmed nightie and high heels.
Indeed, it’s hard to know just what this mashup of “Cat on a Hot Tin Roof” and “The People Under the Stairs” was intending — though clearly, it doesn’t work. The actors do as well as they can, less campily than you might expect given the circumstances. Yet “Grand Isle” renders naturalism superfluous, and it isn’t witty or knowing enough to fully embrace its own over-the-top-ness.
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