, ready-to-wear and fur collections for women, summed up during a preview at the venue, showing off slender cashmere coats lined in dense embroideries and tulle columns embroidered with hand-painted flowers.
A little over two years into his tenure at the Roman house, Jones described his angle on Fendi couture as “delicate,” a foil to the many “heavy clothes” around. “You want [the clients] to feel really good and for them to feel comfortable, I think it’s really important,” he said. “The way we live now is very different from how we used to live. I’m just thinking about modern times, modern stresses and modern problem-solving.”
His proposal? Long, body-skimming dresses with the lightness of lingerie and occasionally the suggestion of dishabille. “A sense of underwear becoming eveningwear,” he said. With little variation in silhouette, and predominantly pale colors, this fashion show didn’t set off many sparks. The craft of couture was the star, perhaps exemplified by the metallic leather made to resemble lace or chain mail while maintaining malleability and softness.
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