It was 2017, she was 35 weeks pregnant, and she had just finished producing the Prefontaine Classic, a Diamond League track meet in Eugene. On her flight home to Baltimore, somewhere over the Midwest, her water broke. When the plane landed, she took a cab straight to the hospital, and met her husband there. A few hours later, they welcomed a son—who had jumped the gun by more than a month.
Her background helped make Riley great, observers say, because she grew up in sports television, filling every position, from the entry level production associate calling graphics to working in the videotape area to being in charge of the tape area. She’s been in the front of the truck as the associate director who assists the director and producer in timing.“If you do those jobs, when you are promoted to producer, you understand what everyone is doing,” Solomon said.
But she has trouble explaining what is going on in her brain during broadcasts, synthesizing all the camera angles and voices, making scores of journalistic decisions every minute. All she can say is that she’s constantly evaluating: What’s the most important right now?None of it happens by accident. Every live broadcast is the result of months of brainstorming, testing, planning, and coaching.
Riley holds her oldest child in the NBC production truck during Triple Crown horse racing season in 2018.When Goucher first started doing on-air commentary for NBC this spring, Riley gave her extra coaching sessions, telling her what she was doing well and what she needed to improve. On the live broadcast, Riley is in Goucher’s ear.
In Boldon’s telling, Riley led the meeting and didn’t mince words with her assessment of what needed to improve. The message? “Swimming and gymnastics get the baton and we have to bring it home for NBC,” Boldon said. “Everyone in that room was as serious as a heart attack. She came with receipts. She came with video—she had put together a whole package. ‘Look at this.
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