The Handmaid’s Tale’sFor the Emmy-winning actress and producer, who has worked on sets since she was a child, this moment of creative transition proved revelatory. “Here’s what’s interesting that I found out when I started directing. For better or worse, I’ve thought as a director for a lot longer than I realized,” Moss says. “Even as an actor, I cut the scene in my head. Maybe I shouldn’t be doing this…but I think about when we would cut out of that close-up that I’m doing.
“It did feel unusual, in a way, for me, for someone to go, ‘Okay, what did you think of the performance?’ Because usually, of course, it is amy business, but it’s not my business. It’s the director’s business,” notes Biddlecombe. “So, to have that, I think was incredibly exciting for me.” In the latest episode of Deadline’s The Process, the DP explains that the kind of collaboration he’s found with Moss is precisely the kind he’s always looking for. “We spent hours and hours going through the scripts and really examining them, and for me, that’s incredibly rewarding, just because it means that it’s part of me which is on screen, as well,” he says. “What’s interesting to me is finding the nuances…these little, tiny beats, which are beautiful…and finding those together.
During their talk on The Process, Moss and Biddlecombe touch on their philosophies with regard to storytelling, the most challenging sequences to bring to fruition in the episodes Moss directed, and guidingthrough a subtle visual evolution in Season 4, as Moss’ June makes her way from the totalitarian nightmare of Gilead to freedom and safety in Canada.
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