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With cinematographer Pawel Pogorzelski, a creative partner since their days in film school, Aster sourced lenses from Panavision that were detuned to allow for the particular demands of the shoot, most of it conducted in the exterior broad daylight that is essential to the film’s design. “This is a film that demanded a certain amount of control,” Aster said, “and you lose a lot of control immediately when you start shooting outside, especially when the entire film is being shot that way.
“Every one of those hieroglyphs that might seem strange were sourceless,” Aster said. “We have our own definitions for them. If you go into the archives wherever they are right now, you’ll be able to find dense character lists that tie them to specific runes and sometimes kind of a broad history, but they were all given histories to draw from and work with.”
“Life is treated as a dance even when they aren’t dancing,” Aster explained. “Beyond that, throughout the film, you’ll see them gesturing in ways that might not make a whole lot of sense to the casual viewer, but there was a very, very dense vocabulary given to every actor as far as body language.”
MidsommarMovie Love it! And love the new Ikea Midsommar line!
MidsommarMovie What a terrible pos movie. Hollywood officially has run out of ideas.
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