co-production that launches on 27 October in the UK. At the premiere earlier this month, series producer Scott Alexander said the wildlife epic has a “signature look” because of the drone technology used during filming., features a scene in which a gentoo penguin tries to escape a pod of orcas, and the unique drone vantage means it’s as dramatic as a white-knuckle car chase in an action movie. Attenborough said the drones had been transformative for storytelling.
He told Deadline: “If you’ve lived in a world without drones, as I have, you can’t get all kinds of shots. You spend a lot of your time showing the viewer how the relationship between different parts of the plot – where the predator is and where the prey is, or whatever – and suddenly you can do that now, not only from great height, but also quite low because the noise doesn’t frighten these creatures.
“It transforms it. In the past the only way you could do these things was by hiring a helicopter, which was extremely powerful, I think rather dangerous – I’ve certainly been scared – and you had to devote days to doing it.”
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