pitched Donnelly and Johnson the idea that would become “Cha Cha Real Smooth.” Then he began developing the script with the TeaTime team, tailoring the role of Domino to Johnson.
Late last year, Johnson and Donnelly sold a minority equity stake in their company to Boat Rocker, the Canadian studio where they have a first-look deal, and executive Katie O’Connell Marsh joined TeaTime Pictures as a partner. Her role is to help it expand into something more than a production company, with plans toward building a creative community that can be used to launch curated products.
Johnson is at an intriguing crossroads as a performer, in an unusual position where she can play relatively carefree characters trying to figure out their lives in the manner of a rom-com heroine, as in “Am I OK?” or 2020’s “The High Note,” while she can also play darker parts reflecting people with more responsibilities grappling with where they have found themselves, as in “Cha Cha Real Smooth” or “The Lost Daughter.
“Growing up on-set and experiencing so many conversations around this job and this industry and the people in it and then having my own career for the last 14 years, I think I just want to make a difference,” Johnson said. “I want to make it better. I want to have a better experience. I want to give more opportunities to amazing people to make things. I want to make more. I have such big dreams, it’s out of control. And I have so many ideas, and I just need to get them out.
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