Sound nominees from 'Mank,' 'Soul' and 'Sound of Metal' also share approaches to their nominated work.
Each movie has its own creative approach to its sonic experience, and for the Academy Award-nominated sound editing and mixing teams — this year nominated as one in a newly combined category for best sound — they worked in lockstep to meet those goals.punk-metal musician Ruben, played by Riz Ahmed, experiences hearing loss, and director Darius Marder and the sound team deftly delivers the drummer's aural point of view.
This informed the film's sound, which Becker says aims to"mimic as close as possible the way [deaf] people get sound through their body." The team also incorporated Ahmed's"inner body sound," taking recordings with a range of microphones including a stethoscope mic on the actor's chest, a geophone mic on his skull, and a waterproof lavalier microphone in his mouth..
Supervising sound editor and rerecording mixer Michael Minkler notes that while they had access to existing WWII material, “we wanted to customize every one of those sounds, every little sound that if we don't like it, we replace it. If we like it, we'll enhance it. Almost nothing is left alone. You want to be authentic, but we still want it to be a movie."for Universal.
For the Great Before, an ethereal setting where young souls find their personalities, he says,"it was really important to Pete at that point in the film that we, through the character of Joe, feel safe, feel peaceful and feel like this is a very relaxing, nurturing environment."
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