is a 40-year-old virgin. You might also call her a middle-aged version of Sissy Spacek’s Carrie. But Nathalie Álvarez Mesén’s first feature is neither a comedy nor a horror freak-out. Set in a rural village and cast with nonactors, led by a feral performance from dancer Wendy Chinchilla Araya, the drama occupies its own territory, tinged with magic realism and deeply immersed in the sensory world. It’s also a vivid reminder that even a matriarchy can be paternalistic.
Clara lives with her religious mother, Fresia , and her teenage niece, María , whose coming-of-age sparks Clara’s own awakening. But the figure she most identifies with is Yuca, the family’s unicorn-white mare. They’re both money-earning attractions: Yuca is rented out to local guides working in Costa Rica’s thriving tourist industry. Clara is offered up to worshipers as a healer who has a direct line to the Blessed Virgin.
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