We are all ghosts? Photo: EIKE SCHROTER/NETFLIX Earlier this month, Netflix dropped its banner offering for the spooky season: The Haunting of Bly Manor, an embellished adaptation of Henry James’s The Turn of the Screw. I looked forward to this show, and I watched it with wine. I never expected that could be a mistake. Like three-ish glasses and suddenly I am hopelessly tangled in the absurd web of ghost law that supposedly floats this whole production.
Bly spends its first few episodes checking the boxes for an acceptably scary, if familiar, story: A protagonist trying to bury her own demons in a new life; two creepy orphans whose custodians have historically met tragic ends; and a sentient country estate with a sinister agenda. That Bly Manor is haunted is a given, baked into the show’s title. How it is haunted is another question entirely.
Possibly related to the “tucked away” confusion, there is the matter of possession: Certain among the Bly Manor phantoms can move into living human bodies like hermit crabs into empty shells. Peter Quint died at Bly; his shade subsequently colonizes Miles, at least occasionally. Sometimes Quint’s figure can be seen stalking the manor’s shrub line; sometimes his spirit retreats into this little boy.
what the tuck.
Exit points - when the living realizes that it wasnt real. Just a blip. Temporary.
1. Im not sure what would be the motivation of the faded away ghost to possess the living. 2. Ghost dream hop, reliving their most memorable chapter in life. They dont get tucked away. Only the possesed gets tucked away.
I need someone to explain what I watched.
I still enjoyed it though.
The ghosts are a metaphor for dementia, becoming unmoored from reality and living in your memories even while realizing this isn’t reality; Hannah OTOH is about believing so strongly in her life that she does continue “living”
NickyBrattina
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