, and this movie is not necessary to either of them. They all exist together in a bigger framework. They can be enjoyed separately, and you can watch one of them without seeing the other two, but you probably would not be getting the full experience. They have a cumulative effect when taken all together. This [movie] maybe to a lesser degree than the other two works by itself. But I think you can watch this if you’ve never seen either TV show.
That’s it in a nutshell. I love process. I think I learned that from Stephen King. I never met him, but I’m a fan of his work, and he wrote a great book about writing [], and I think he said somewhere in it about how people love reading about people doing their jobs. It always stuck with me: Process is interesting.
You worked a lot of Western motifs into the show, and that standoff between Jesse and Neil felt really Spaghetti Western, maybe more than anything else you’ve done. As to Skyler and Marie and Walter Jr., I tried very hard to find ways to get them into the movie, just because I love those three actors so much. And at a certain point, it didn’t feel like Jesse’s story. It’s Bill Faulkner thing: You have to ultimately kill your darlings.
It’s a couple of things. I’m not gonna lie, it’s Drama 101: You want Jesse to prevail over some bad guys. If Jesse literally just found the money, went through trials and tribulations, almost got caught by the cops, and almost got caught by this person or that, it would have been somewhat interesting, but there wouldn’t have been some visceral oomph to it. You want a bad guy for your good guy to prevail against.
Dosent work as a stand alone and I didnt really need to know what Jesse Pinkman did next. Zzzzzzz
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