Field, who had suffered from strokes and prostrate cancer, died June 28 of what was described as natural causes. Although his performing pace had slowed in recent months, he was still playing host for each program at the venue until it was forced to close due to the pandemic in March.
In later years, Field’s health problems caused him to drive a scooter up the aisle and slide himself over onto the bench of the mighty Wurlitzer. After his entry, things proceeded as they always had: Field would begin a long medley of vintage tunes with the curtains closed, before they opened to reveal the thousands of pipes or percussion pieces in all their glory, many painted with fluroescent paint so as to glow in the dark and have their movement illuminated.
Lara Scott, a radio personality on the L.A. oldies station K-EARTH 101, had in recently years taken it upon herself to become one of the unofficial ambassadors for the theater and Field’s efforts there. “When I discovered Old Town Music Hall eight years ago, I was so excited to find a place showing classic films on the big screen every weekend,” Scott says. “But even better than seeing the films was talking to Bill before and after them.
Although it would be difficult to imagine many organists being able to step in for four taxing shows a week at a non-profit, Moll says the Wurlitzer is in good — and surprisingly young — hands. Klein did not discover the theater until the late ’90s, after she’d already become enamored of the Silent Movie Theater’s programming to the north, and was able to add it to a list that sometimes feels all too short of shrines to L.A.’s entertainment heritage.
El Segundo was not always the easiest place to convince entertainment industry folks from the west side/east side/Valley axis to get down to, at least before Hollywood production began discovering the city, which especially downtown can seem like a quaint land that time forgot.
Scott I wishyou were never born
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