Do not read if you haven’t watched “all the sauces,” the fourth episode of Season 3 of “’s “Barry” followed the title character as he barely maintained a double life between his hitman career and his newfound pursuit of acting. The character was able to keep these two worlds separate less because of any actions on his part than because of the self-absorption of the people he surrounded himself with — chief among them his love interest, Sally Reed.
“There was a version where she was more self-aware earlier, and she was covering for him and lying for him a bit more, but we eventually decided that it was going to work better if her myopia and career obsession was completely eclipsing everything else — and that it took somebody else to snap her out of it,” Goldberg toldabout the early drafts of her Season 3 arc.
There was a pretty significant time jump between seasons, at least half a year or so. How have you been thinking about Sally’s growth during that time, and what’s been going on in her and Barry’s relationship? Everyone’s been asking me about the scene where he yelled at me. Honestly, that was easy to play. Bill really went for it, and I was actually terrified. So that was easy enough. The scene where she calls him, where she gets him beer and spaghetti and takes care of him after he’s treated her that way, and actually apologizes to him on the phone, that was the hard scene to shoot.
We went through multiple iterations of what that speech was going to be. There was a version where her arrogance took over, and the thrill of being successful took over in real time. And we felt it wasn’t right, and what felt right in that moment was she’s trying to be this thing.
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