You might not expect an haute couture presentation to begin with a closeup of the designer himself, his face and body daubed with Day-Glo paint, wielding an aerosol can. But Charles de Vilmorin, the 24-year-old French phenom who was the talk of this past, thinks it’s a sign of how the ages-old art is changing. “The fact that my young brand was on the couture calendar,” he says, “is proof that couture wants and needs to change, and be more open and [current]. I think it’s a really good thing.
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