A Neo-Colonial Horror Story Meets a Liberationist Tale of Revenge in Bacurau

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Movie Review: Bacurau - A wildly creative tale that provides uncanny comfort despite ample bloodshed.

begins with a woman named Teresa being driven down a winding mountain road with sweeping swathes of lush greenery below. Suddenly, a splintered wooden casket appears in the middle of the asphalt. After the driver swerves to avoid it, there is another one. And another. Soon, broken caskets litter the entire road. The cause of the coffin calamity is revealed when Teresa sees that an open-back truck transporting caskets has collided into the mountainside, killing its passengers.

Coincidentally, Teresa is on her way to a funeral. Her grandmother—the beloved matriarch of Bacurau, a small Brazilian village where she grew up—has died. The entire town mourns her death, oblivious to the fact that their little village is slowly, literally, being erased from the face of the earth. Here, what has seemed like a horror film morphs into a weird Western that incorporates psychoactive flora, a seemingly benign history museum, and even an apparition or two. And that’s not even counting the UFO.

Though the film might come off as ridiculous, its absurdity is hardly impossible. Bacurau presents a dystopian vision of Brazilian atrocities to come, taking place “a few years in the future,” with explicit implications of what far-right president Jair Bolsonaro might reap from the most vulnerable populations of the country.

to hunt the townspeople of Bacurau for sport in order to sate their colonial impulses—for a fee, of course. This is why the town is disappearing—its cell signal is cut, and all GPS images of the town are swabbed from Google Maps. The townspeople begin to realize something is gravely wrong after their weekly water truck arrives with bullet holes, leaking the scarce supply onto the sandy ground.is wildly creative, and its hilarious, Dadaist aura provides an uncanny comfort despite ample bloodshed.

 

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